How To Distribute Your Music with Studio One From Creation to Digital Streaming Platforms : North America : PreSonus : International Broadcast News (2024)

Table of Contents
North America Stories 22/05/2024 X2O Media Appoints Pang Yee Loy as Regional Manager to Lead Expansion into the APAC Market 22/05/2024 Richard Linklater's Hit Man Asks, How Far Will You Go For Love? 22/05/2024 NewsNation to Expand To 24/7 Cable News Network 22/05/2024 Adobe Launches Adobe Express for Enterprise 22/05/2024 The Power of Making Great Projects Shouldn't be Wasted 22/05/2024 J SPORTS Installs Blackmagic Design Workflow for On Demand Streaming 22/05/2024 Creating a Particle Man Resolve Fusion 22/05/2024 22/05/2024 Grammys' Set For February 2 on CBS and Paramount Plus 22/05/2024 Red Nose Day Turns 10 on NBC 22/05/2024 Fox Debuts Battleground' to Take Advantage of Election Season 22/05/2024 Trying' to Make A Standout Show About Adoption 22/05/2024 Walter Cade Gets Expanded Role Leading Ad Sales for NBCU Local Chicago 22/05/2024 RFD-TV Founder Patrick Gottsch Dies at 70 Years Old 22/05/2024 GRAVITY MEDIA AUSTRALIA TO DELIVER CRANKWORX CAIRNS FOR R... 22/05/2024 Pebble shows the stable future of playout automation at C... 22/05/2024 beIN MEDIA GROUP to launch first targeted TV advertising... 22/05/2024 Vizrt introduces smart video crop tool to streamline spor... 22/05/2024 TAG to Demonstrate End to End Monitoring Probing and Vis... 22/05/2024 Trusted Partner Network Announces CANAL Plus Group Has Jo... 22/05/2024 Sony Music Equips Its New 5020 Studio Madrid with PMC Mon... 22/05/2024 Joshua Blair and Nick Watson To Deliver Seminars at Prism... 22/05/2024 Skandha launches powerful AI-based proof-of-delivery Ad v... 22/05/2024 The Media Production and Technology Show Celebrates Recor... 22/05/2024 Nilesat Chooses PlayBox Neo Solutions for Large-Scale Ser... 22/05/2024 PHABRIX to show Test and Measurement range on Leader Elec... 22/05/2024 The Academy of Lower Thirds Earns 2024 Chyron Designer of... 22/05/2024 Max Starts European Rollout 22/05/2024 Liberty University Taps Riedel for Comms 22/05/2024 OTA Wireless Readies ATSC 3.0 Datacasting For Commercial Deployment (Part 1) 22/05/2024 Arabsat Selects Grass Valley AMPP for Cloud Playout 22/05/2024 Digital Alert Systems, Inovonics Partner on External EAS Monitoring Gear 22/05/2024 OTA Wireless Readies ATSC 3.0 Datacasting For Commercial Deployment (Part 2) 22/05/2024 Adobe Unveils Firefly-Powered Generative Remove in Lightroom for Fast and Easy AI-Editing Across Surfaces 22/05/2024 Blackmagic Design Announces Special Price for Blackmagic Cinema Camera 6K! 22/05/2024 Durham Bulls To Host MLB's Home Run Derby X Tour 22/05/2024 Berklee's Summer in the City Brings Free Concerts to Boston Area 22/05/2024 CBS News and Stations Launches Medical, Health and Wellness Unit 22/05/2024 Upfronts Put Football, Big Stars, Tech Talk in the Spotlight 22/05/2024 Everyone Offers Tomorrow's Advertising Today (Upfronts) 22/05/2024 Charter Offers Up To $2,500 for Switching to Spectrum Mobile 22/05/2024 Allen Media Group Adopting BrightLine Interactive Ad Formats 22/05/2024 Tribeca Festival and Chanel Unveil 2024 Artist Awards Program Participants 22/05/2024 SVG College Summit 2024: Technology Exhibits Preview, Part 2 22/05/2024 Prime Video's VP, Live Sports Product and Engineering Eric Orme Reflects on Thursday Night Football and the Growth of Live Streaming Sports at Amazon 22/05/2024 2024 Sports Emmys: ESPN Takes Home Most Statues With Eight; CBS's Super Bowl LVIII Shines With Three Wins, Including Outstanding Live Special 22/05/2024 ESPN's Chris Strong on Building a Longterm Vision For Live Production in the Cloud 22/05/2024 How To Distribute Your Music with Studio One From Creation to Digital Streaming Platforms 21/05/2024 I Am L3Harris: Eldon 21/05/2024 Arabsat powers its new state-of-the-art cloud-playout services through Grass Valley's AMPP Platform

How To Distribute Your Music with Studio One From Creation to Digital Streaming Platforms : North America : PreSonus : International Broadcast News (1)If you're a PreSonus user, you're probably pretty hands-on in producing and recording your

music. Maybe you already know how to master spatial audio or are reading this blog to figure

out multitimbral instrumentation with guitar (no-seriously!).

These are vital skills for any independent musician. Distributing your music online can empower

you to take control of your music's journey.

What is TuneCore? If you're reading this, your experience with digital distribution might be limited. That's ok! Maybe

you're only distributing to platforms like Soundcloud and Bandcamp. Perhaps you don't even

know what a DSP is* and haven't started your journey of sharing tracks with the public at large.

That's where TuneCore comes in.

TuneCore is an independent artist development platform specializing in music distribution. Both

TuneCore and PreSonus are here to support you at every stage of your career, and distributing

your music online is one of the most critical aspects. This is why we partnered to build a

creation-to-DSP pipeline that Studio One and TuneCore users can benefit from.

However, it's important to note that true support for artists begins with education. Understanding

the ins and outs of Music Distribution 101 is crucial for your success as an independent

musician. So, let's dive in and demystify this essential aspect of your music career.

* DSP = digital service provider, i.e., Spotify, Apple Music, TIDAL, Amazon Music

How Digital Music Distribution Works At its core, digital music distribution is simply the process of making your music available on

various online platforms or marketplaces.

Each platform or marketplace has its own technical and content guidelines, which must be

adhered to for music to be hosted. These can range from audio file format specifications to

correctly labeling an explicit song as such. We've broken them down in detail right here.

Tips to Distribute Your Music If you don't have time to read that, though (and who does?), save this cheat sheet for your

future use:

DO: Check Your Metadata Painstakingly reviewing your metadata is one of the most vital components of the distribution

process. It's also one of the most tedious. But it's worth it.

From a music publishing perspective, metadata is king - and correctly inputting metadata

ensures that you get the most royalty matches possible to earn streams on DSPs like Spotify

and Apple Music, locations like bars and hotels, and so much more. We cannot stress this

enough: making sure your song's metadata is accurate is of the utmost importance.

Similarly, your cover art is the face of your music, and it's crucial to get it right.

Here are the five most important metadata components to check:

IPI/CAE number - a unique identifier assigned to all songwriters and publishers who are

registered with a collection society (such as BMI or ASCAP

ISRC (And Release Info) - a unique,12-digit alphanumeric identifier that helps identify

the usage of your sound recordings and their underlying compositions (this helps you

collect publishing royalties)

ISWC - a unique, 10-character code identifying musical works that links to a song's

recording (this helps you collect master royalties)

Alternative Titles & New Recordings - such as a live recording, another artist's cover

version of your song, a remix, slowed or sped-up versions, etc.

Songwriters and Shares - Percent of Song Ownership

This can be overwhelming. The good news is that when you distribute through Studio One x

TuneCore, we'll ask for and help you identify all this information. It won't undergo TuneCore's

review process until you've imputed it

DON'T: Embed Your Metadata Given how vital metadata is to you getting paid for distributing your music, it's understandably

vital that you don't try to cut corners when inputting it.

Embedding is a form of cutting corners.

Having your metadata already attached to the track you're uploading sounds convenient, but

let's happily shatter that illusion. Digital stores don't accept embedded files. Getting your music

to fans (and getting paid for it) means uploading tracks that pass a DSP's content guidelines,

and embedding isn't one of them.

Again, through Studio One's integration with TuneCore, you'll be able to enter all this metadata

yourself and ensure you're good to go.

DO: Nail Your Cover Art Regarding DSPs like Tidal or Amazon Music, audio isn't the only component of a track with

content requirements.

Your cover art also needs to be in store-ready shape.

If you haven't given this much thought, don't sweat it. However, it's important to note that not

meeting these requirements can lead to your music not being distributed on certain platforms.

Musicians are rightly more focused on their craft and a song's audio fidelity than the technical

specters of the accompanying image.

Here are the components you MUST nail down to get your artwork cleared:

Image Format: JPG or GIF

Aspect Ratio: 1:1 (Perfect square)

Resolution: At least 1600 x 1600 pixels in size

Best quality RGB Color Mode (this includes black and white images)

If you're distributing your music to the Amazon On Demand store (for printing physical

CD covers), you need a resolution of 300 DPI.

Here's what you CAN'T include:

Words or phrases that don't match the Artist Name or Song/Album Name

Email addresses, URLs/websites, contact info (this includes social handles), or pricing

Stickers from your artwork from a scanned copy of the physical CD

Something that suggests the release format CD, DVD, Digital Exclusive, the disc.

Cut off text or images

An image that's compressed into one corner with white space

Names of digital stores or their logo

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